GUIDED TOURS

Book a guided tour around Guldagergaard and become familiar with the ceramic field and experience the enchanting Sculpture Park. If you do not want a guided tour, you are always welcome to take a walk in Guldagergaard’s beautiful sculpture park on your own and experience the fascinating ceramic art.

GUIDED
TOURS

Guided tours:
A guided tour take about 1,5-2 hours and includes a guided tour in the Apple House Gallery and Sculpture Park. During the tour, you will learn about Guldagergaard and the many impressive art pieces in the Sculpture Park. The tour will end with a cup of coffee (included in the price).
Prices from 2,500 DKK

Book a guided tour:
ceramic@ceramic.dk
Monday – Friday 9:00-15:00
Book your tour 2 weeks before.

GUIDED
TOURS

The Apple House Gallery
The Apple House Gallery also constitutes an important part of our mission to promote and increase the knowledge of ceramic art, crafts, and design. We often have inspiring exhibitions, where you can be blown away by the works of both national and international ceramic artists.

Sculpture Park
Guldagergaard lies in the middle of a beautiful public sculpture park. Guldagergaard has a history as an important fruit farm for this area in Denmark. The former owner had also a huge interest in rare plants and trees and founded the park in the early 1910’s. The garden itself looks like it has done for decades but now with the addition of several ceramic sculptures. Ceramic artists from Denmark, Australia, Mexico, The United Kingdom, China, Sweeden, Estonia and the USA have created the beautiful sculptures in the park.

Guldagergaard continually seeks to fund for expanding the sculpture park with new ceramic work.

A flowerbed for Alice

Paul Scott (UK) and Lillemor Pettersson (Sweden), 2016

On one of her adventures, Alice encounters the Garden of Live Flowers, who believe that she is a flower too – although, as Alice is wearing a dress, they believe her petals are fading and falling down around her ankles; a very sad event indeed. In the Flower Bed for Alice, Paul Scott and Lillemor Pettersson have created a place, where Alice can lie down with the rest of the flowers and regain her strength.

You can rest too and wonder about the narrowness of our own perspectives as humans, and the ways in which they limit how we see the world.
The flowerbed is an in-glaze decal collage on porcelain tiles by the Cumbrian artist Paul Scott, which is placed on a brick structure by the Swedish artist Lillemor Pettersson.

COATLICUE

Rosario Guillermo Aguilar (Mexico), 2003

The beautiful sculpture Coatlicue, which hides in a corner of the garden, is made by the Mexican artist Rosario Guillermo Aguilar, who was inspired by the mother figure, fertility, myths, life, and death. Coatlicue was a major deity in the Aztec pantheon and was regarded as the earth-mother goddess. She is one of the most fearsome figures in Aztec art, and she represents both the beginning and the end, the birth and the grave.

Aguilar dedicated this sculpture to her mother, who passed away just before the project began. On one side of the sculpture, you can find an engraved poem, which Aguilar wrote for her mother.

Fire Sculpture

Nina Hole (Denmark), 2015

In front of the main house at Guldagergaard, you can experience the beautiful fire sculpture that was created by one of the co-founders of Guldagergaard, Nina Hole.

Through the years, Nina has been an immensely important figure at Guldagergaard, and her vision of ceramics as being an act of communal creation and open dialogue is clearly viewed in this sculpture, which was created from April 19th – May 9th in 2015 by a team of artists. It is a vision that still survives at Guldagergaard today. Nina Hole sadly passed away in the spring of 2016, but her sculptures still speak for her, or as she puts it: “Clay has a language of its own”.

The gate between east and west

Wenzhi Zhang (Kina), 2010

Behind the kiln yard, you will find the gate between East and West, which is made by the Chinese artist Wenzhi Zhang in 2010. Zhang has always attempted to make her art available to a multicultural audience, and she mixes the styles of different ethnicities and cultures. In that way, her work has aspects of both the personal and the social, the individual and the communal experience.

The gateway becomes both a bridge and a threshold, establishing a connection as well as preserving the unique. The yellow bricks are made by Petersen Tegl, and the gateway consists of handmade stoneware patterned and glazed according to Chinese tradition.

Hod Leaners

Wenzhi Zhang (Kina), 2010

Behind the kiln yard, you will find the gate between East and West, which is made by the Chinese artist Wenzhi Zhang in 2010. Zhang has always attempted to make her art available to a multicultural audience, and she mixes the styles of different ethnicities and cultures. In that way, her work has aspects of both the personal and the social, the individual and the communal experience.

The gateway becomes both a bridge and a threshold, establishing a connection as well as preserving the unique. The yellow bricks are made by Petersen Tegl, and the gateway consists of handmade stoneware patterned and glazed according to Chinese tradition.

Inquisitive Jørgen

Bjørn Nørgaard (Denmark), 2014

Every child in Denmark knows the story about the boy, inquisitive Jørgen, who questions everything – sometimes even just to tease his parents. This sculpture is inspired by the story of the curious boy, and imprinted on it you can read the questions asked by several school children, who participated in the project.

Curiosity has also always been at the bottom of both Bjørn Nørgaard’s creativity. Bjørn Nørgaard has influenced the Danish art scene significantly through his happenings and his sculptures.

King & Queen

Bruce McWhinney (Australia), 2014

Originally, Bruce McWhinney came to Guldagergaard as a participant in “The 2nd European Ceramic Wood Firing Conference” in 2014. He ended up returning to Guldagergaard to create a sculpture for the Sculpture Park. During his first stay, he made a lot of friendships within the community of Skælskør, and he wanted to give something back.

He did that with the sculpture King and Queen, which is inspired by the love story between the Danish Crown Prince Frederik and the Australian Mary Elizabeth Donaldsen – and which mirrors McWhinney’s own warm connection to Denmark.

Sergei

Sergei Isupov, 2017

Skælskør Stack

Robert Harrision (USA), 2003

Robert Harrison has become known for his site-specific sculptures and museum installations of ‘stacks’ or gateways referencing architectural forms.

For the significant sculpture in Guldagergaard Sculpture Park, Robert Harrison has used traditional Danish brick and layers of industrial fragments donated by the Royal Copenhagen Factory. He called it the ”Skælskør Stack” and it is an image of his constant focus on the Architecture of Space.

Small White Wall

Nina Hole (Danmark), 2003

Next to the Skælskør Stack is a small white wall with red tiles. The little piece is the remaining part of the sculpture “Passage”, which was made by the Danish ceramic artist Nina Hole, who has also made the beautiful fire sculpture in front of the main house. The rest of the sculpture was unfortunately damaged in 2004. Her original project had references to the Danish architecture associated with traditional Danish churches, which often are white with red roof tiles, and which, through many centuries of Danish history, have been the frame around all of the life’s important rites of passage; leaving one condition to enter into a new one.

Nina Hole is one of the co-founders of Guldagergaard, and she has meant a lot for the development of the studios, facilities, and special, magical atmosphere at Guldagergaard. She was cool, colorful, direct, wildly experimental and had a vision for clay. She was one of the bright shining stars within the field of ceramic art, but unfortunately, she passed away in the spring of 2016.

The Porcelain Tree – after Spode

Paul Scott (UK), 2013

In 2013 Guldagergaard revealed a large porcelain tree by Dr. Paul Scott.

Spode works was a ceramic production factory and company in Stoke-on-Trent in the UK, which unexpectedly had to close down in 2009 – the employees even had to leave unfinished plates and other products behind. The beautiful blue and white tree in the Sculpture Park is Paul Scott’s tribute to the old factory, and through the sculpture, he hopes to remember what has been lost. The beautiful tiles are handmade and hand-rolled in Jingdezhen in China, and they have been transported to Guldagergaard afterward, where they have been decorated with screen-printed decals designed by Paul Scott (like a children’s tattoo transfer).

This work was the result of 3 years of dialogue and planning between Dr. Paul Scott and Guldagergaard director Mette Blum Marcher. The tree is 5 meters tall and this silkscreen project was the first one to succeed in the new print facilities in the new Guldagergaard studios. 7 assistants helped to succeed this project.

The Three Salamanders

Betty Enghold, Gerda Østergaard, Birgit Krogh (Danmark), 1999

Another sculpture in the park is the three salamanders on the little island in the lake welcoming you when you enter Guldagergaard from Heilmannsvej.

According to the Swiss alchemist Paracelsus, the salamander is an elementary spirit, which is connected to fire and knows how to forge beautiful artifacts in the fiery heart of volcanoes. It is therefore only befitting that the three salamanders are one of the first sights, which stares back at you when you enter Guldagergaard. They were placed in their nest on the small island in the lake by the three Danish artists Betty Engholm, Gerda Østergaard, and Birgit Krogh. They were all members of the artist group Clay Today, which helped found Guldagergaard. The salamanders are made of stoneware and are gas fired.

Tinos

Ulla Viotti (Sverige), 2003

In 1966, a trip to the ancient Middle Eastern city Petra, half-built, half carved into the rock of the Jordanian mountains, inspired the Swedish artist Ulla Viotti to start working in stoneware and brick, building great, public works that are at once sculpture and architecture.

This decision has made her a true pioneer and ambassador of bricks. For the Sculpture Park at Guldagergaard, she has collaborated with one of the last active Danish brickworks, Petersen Tegl, to create the massive brick sculpture with the narrow opening that mimics the Greek bird cases called shrines. The slim opening and the dense handmade bricks oppose each other, and reflect the conflict of being protected and being free

Welcome to Wonderland

Lillemor Pettersson (Sweden), 2016

In the late summer of 2016, a team of ceramic artists followed Alice and the white rabbit down the rabbit hole to visit Wonderland. It was an enchanted and delightful symposium, and at the end of it, Guldagergaard had acquired a new landmark to greet its guests.

Now, you are welcomed by two little white rabbits, when you enter Guldagergaard and the Sculpture Park – an aspect, which seems befitting, as the Sculpture Park is a world full of extraordinary personalities, mystical undercurrents, and marvelous anarchy. The work was created by the internationally renowned Swedish ceramic artist Lillemor Pettersson, who works in both bricks, terracotta, bronze, and porcelain.